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Albrecht Durer
St.Francis Receiving the Stigmata
mk168
218x144mm
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Albrecht Durer
Three Peasants in conver-sation
mk168
107x76mm
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Albrecht Durer
Dancing Peasant Couple
mk168
1514
118x75mm
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Albrecht Durer
Rustic Couple
mk168
109x77mm
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Albrecht Durer
Peasants at Market
mk168
116x73mm
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Albrecht Durer
A Nuremberg Lady in Everyday
mk168
Pen and ink on paper with Water-color
284x130mm
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Albrecht Durer
A Nuremberg lady Dressed to go to Church
mk168
317x172mm
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Albrecht Durer
The Prodigal Son Amid the Swine
mk168
248x190mm
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Albrecht Durer
The Prodigal Son Amid The Swine
mk168
248x190mm
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Albrecht Durer
Hercules Killing the Molionides
mk168
395x285mm
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Albrecht Durer
A Nuremberg Lady Dressed to go to a Dance
mk168
325x218mm
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Albrecht Durer
Nude With Staff seen from behind
mk168
320x210mm
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Albrecht Durer
Nude Seen From Behind
mk168
283x224mm
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Albrecht Durer
The Dream of the idler
mk168
188x119mm
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Albrecht Durer
Bath Attendant
mk168
1493
Pen and ink on paper
272x147mm
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Albrecht Durer
The Coat of Arms of Death
mk168
220x159mm
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Albrecht Durer
The Men-s Bath
mk168
292x282mm
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Albrecht Durer
Young Couple
mk168
Pen and ink on paper
257x191mm
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Albrecht Durer
A Woman of Nuremberg and one of venice
mk168
241x160mm
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Albrecht Durer
The Mystical Betrothal of St.Catherine of Alexandria
mk168
234x201mm
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| Albrecht Durer
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b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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